A suite of large print-works sourcing and abstracting exactly one week of specific pay-TV networks at 15 frames per second.  These millions of ordered, discrete images are reformatted using various graphic, sequential, and data-visual approaches.  

The three different reformulations (or "skins") of network streams each lay equal claim to accurately representing ("visualizing") the captured TV matter.  Perhaps this emphasizes a contradictory sense of both truth and arbitrariness in the formal manifestations.